Garden on the Water

Gardenon the Water

Recording available

Intensive

Gardenon the Water

Recording available

Garden on the Water

Plans

Join us and make your own piece

Programme
Support and feedback

 

Course€19.90
Total€19.90

You can choose the payment currency in the header, top right

Course programme

Intensive

  • The Water Garden
  • Part 1
  • Part 2
  • Part 3
  • Part 4
  • Part 5
  • Part 6

References

  • Garden on the Water reference

Materials

Paints

For paints we will need my classic set of paints.

I work with the French paint PEBEO. You can take paint from other makers, but the shades may differ.

Below is the list of paints with their PEBEO numbers

  • titanium white25
  • lemon yellow01
  • cadmium yellow02

cadmium red 05/06/07 ( any one of them or all)

  • light ochre20
  • raw sienna21
  • pink37
  • madder50
  • turquoise38
  • cobalt12
  • ultramarine14
  • steel blue47
  • black24

The only color from the Ladoga/Master Class range is Raw Leningrad Umber.

As you can see, I have no green.

Solvent

I paint with pure odorless pinene. If you are used to painting with oil or triple medium, that is up to you, but I recommend taking a closer look at my way of building a painting.

For

brushes

I use synthetic filberts. From the smallest to medium. You can take a flat wash brush if you like. I will not be relying on them. A bristle brush will not be a main brush either.

As the course is made, other tools may appear; I will talk about them in the lesson, but they will not be essential.

Palette knife

I always recommend having 2-4 palette knives of different shapes.

Canvas

The size I will be painting on: 50x60 or 60x70

In the lessons I paint on linen canvases. The size is entirely up to you. It is worth going by the ratio of the sides.

If the reference is elongated, the difference between the sides should be 20 cm or more (for example 40x60 / 50x70).

Classic rectangular formats have a 10cm difference (40x50 / 50x60)

Squares or circles you also choose according to the reference.

I do not mind if you move away from the given canvas proportions, for example if the reference is elongated and you decide to take a square canvas.

That is always an interesting creative task.

Mikhail Mishinsky

Artist, teacher

Mikhail Mishinsky
  • Founder of the online creative school "ARTCLASS"
  • Co-founder of the painting school "Izo Project PARTA"

Back in 1996 my parents took me to a children's art school. That was how it was done - children were sent to learn to draw. But unlike my classmates at the "art school", even then I had made up my mind that painting would be my profession.

After school I went to a college of culture, where I qualified as a "Master Artist". It is the place where they taught me not only to paint, but to cross-stitch, to knot macramé, to model and to carve... In short, everything you can possibly imagine in the crafts was passed on to me there by experienced teachers.

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