The Path to the Painting

ThePath to the Painting

Start: September 29

Intensive

ThePath to the Painting

Start: September 29

The Path to the Painting

Plans

Join us and make your own piece

Programme
Support and feedback

 

Course€29.90
Total€29.90

You can choose the payment currency in the header, top right

Course programme

Intensive

  • The Path to the Painting
  • Part 1
  • Part 2
  • Part 3
  • Part 4
  • Part 5

References

  • The Path to the Painting. Reference

Materials

Paints

For paints we'll need my classic set of colors.

I work with French PEBEO paint. You can use paint from other manufacturers, but the shades may differ.

Below is the list of colors and their PEBEO number

  • titanium white25
  • lemon yellow01
  • cadmium yellow02

cadmium red 05/06/07 (choose one or take them all)

  • light ochre20
  • raw sienna21
  • pink37
  • madder50
  • turquoise38
  • cobalt12
  • ultramarine14
  • steel blue47
  • black24

The only color from the Ladoga/Master Class palette - Leningrad Natural Umber.

As you may notice, I don't have green.

Solvent

I paint with pure odorless pinene. If you're used to painting with oil or triple medium, that's up to you, but I recommend taking a closer look at my way of building a painting.

Brushes

I use synthetic filbert brushes, from the smallest to medium sizes. You can use a flat wash brush if you like, but I won't be focusing on them. A bristle brush also won't be my main brush.

As the course develops, other tools may appear, I'll mention them in the lesson, but they won't be essential.

Palette knife

I always recommend having 2-4 palette knives of different shapes.

Canvas

The size I'll be painting on: 60x90 or 70x100

In the lessons I paint on linen canvases. You're free to choose the size at your own discretion. You should go by the proportion of the sides.

If the reference is elongated, the difference between the sides should be 20 cm or more (for example 40x60 / 50x70).

Classic rectangular formats have a 10 cm difference (40x50 / 50x60)

You also choose squares or circles based on the reference.

I don't mind if you deviate from the given canvas proportions, for example if the reference is elongated but you decide to take a square canvas.

That's always an interesting creative task.

Mikhail Mishinsky

Artist, teacher

Mikhail Mishinsky
  • Founder of the online creative school "ARTCLASS"
  • Co-founder of the painting school "Izo Project PARTA"

Back in 1996 my parents took me to a children's art school. That was how it was done - children were sent to learn to draw. But unlike my classmates at the "art school", even then I had made up my mind that painting would be my profession.

After school I went to a college of culture, where I qualified as a "Master Artist". It is the place where they taught me not only to paint, but to cross-stitch, to knot macramé, to model and to carve... In short, everything you can possibly imagine in the crafts was passed on to me there by experienced teachers.

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